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Showing posts with label Summit. Show all posts
Showing posts with label Summit. Show all posts

Thursday, June 6, 2013

NOW YOU SEE ME Review: Summit Scummit Bites the Dust

Interview With Romina HERE
We know this is a very important interview because at the bottom left of the video a pop up keeps advertising something even after you click it off. Over and over and over again all the way through the interview. So we know there is nothing important being said as it's all about selling something. How do I know this? I guess I am just brilliant. Attribute it to my genius.

Now You See Me
Domestic Total as of Jun. 4, 2013:$35,835,258
Distributor:Lionsgate/SummitRelease Date:May 31, 2013
Genre: ThrillerRuntime: 1 hrs. 56 min.
MPAA Rating: PG-13Production Budget: $75 million


Domestic: $35,835,258   91.8%
Foreign: $3,200,000   8.2%

Worldwide: $39,035,258 HA HA HA LOL!
Domestic Summary
Opening Weekend: $29,350,389
(#2 rank, 2,925 theaters, $10,034 average)
% of Total Gross: 81.9%
> View All Weekends
Widest Release: 2,925 theaters
In Release: 5 days / 0.7 weeks
Louis Leterrier's directing experience


We have here some marvelous actors, and outstanding performances by them. 

And you can bet this was not such an outstanding movie that the actors waived their regular fees for the privilege of performing in it. The director they got because Leterrier knew how to do CGI and action. Boring boring boring. I hope the actors took them for a ride to the bank.
The Players

When you see this movie Summit is credited and Lionsgate is listed below with 
A Lionsgate Company  
So Summit takes the fall for this mess.




But a mish mash of a screenplay and a heisting of as much as possible from The Hunger Games, another one with a fake box that I can't remember and other cliches with great CGI that should have been used for Twilight, New Moon and Eclipse, etc which were milked to give them money to spend and blow. Summit will throw away everything Pattinson and Stewart made for them.

Saturday, April 20, 2013

Review: The IMPOSSIBLE As DISASTER PORNO


Scummit now a production company of Lionsgate has dispensed with their mountain logo for a more classical look,but their schtick is still the same. 

This movie is DISASTER PORNO
OBSCENE
Every microgram of melodrama, just plain drama, every cliche, every little tidbit of sentimentality in word, gesture or image has been plastered on the screen to manipulate your emotions and wring your feelings and penetrate your guts.

I hated myself for every tear welling in my eyes when I knew how they were playing me for that and still succeeded.


The very worst ones are when the wonderful Naomi Watts is battered almost beyond recognition in the hospital. Women are not allowed to be portrayed as battered by men anymore, but it is OK when a tsunami wave does the job. So we see her bloodied face, swollen, blackened eyes, and we even get a bit of tit that she quickly adjusts in front of her son in a desperate scene when other matters take precedence.

The cast is wonderful but the screenplay plays every bit of personal tidbit of drama it can eke out of a tragic happening. It is a porno erotic masochistic marathon with close close-ups so we can see the suffering really up close and personal. 

I cannot begin to say how awful this film is with its wonderful performances and it resonates with what Robert Pattinson had to endure with the terrible screenplays of Melissa Rosenberg for the Twilight films. 
Certainly Watts and McGregor had no idea from the screenplay that they were going to be photographed almost exclusively so close that their entire faces could not be contained by the screen. It was obscene in how close we felt to them, how close we endured their suffering faces that became pure eroticism for the effects of perversion. As close to a snuff film as you are going to get. 

The end has this family - it's another true story you know - flying to civilization to receive the best medical care money can buy, leaving all the poor folks and brown folks still wretched in their loss and bereavement on the island of paradise ruined.

The last scene is pure soap opera with Watts's face huge, trembling,  letting sobs out that have been held in so long, her quivering lips and chin and her completely vulnerability giving in to tragedy. She is beautiful in this moment and brings tears to even my cynical eyes in my fury at this grotesque display of obscene weeping in a close up that is so close it might be sexual.
Her face is reflected in the plane window, pales out as the ruined landscape appears in the window of the private jet and the credits begin to roll where we see the real family all happy and smiling that they lived through this horror.

The box office is about 200 million including domestic and overseas. The CGI was Summit's typical on the cheap, but what else can you expect from this bottom line player that Twilight saved from bankruptcy. 

Thursday, December 22, 2011

Summit Entertainment: The House That Pattinson and Stewart Built: Fifty-Fifty 50/50

50/50 Poster


Roger Ebert gave a decent review of this movie so I went. It was at the 1.00 movies so what could I lose. The real reason I went was to see Summit - Scummit - do its latest thing on all its Twilight money. It has now partnered with Lions Gate so that is a good move.


If you want a review read Ebert on the link above. The Players are:

Domestic: $34,982,797   89.3%
Foreign: $4,173,591   10.7%

Worldwide: $39,156,388
Domestic Summary
Opening Weekend: $8,644,095
(#5 rank, 2,458 theaters, $3,517 average)
% of Total Gross: 24.7%
> View All 12 Weekends
Widest Release: 2,479 theaters
In Release: 82 days / 11.7 weeks


Interesting that Production Costs were missing,eh. Without those figures it is hard to say whether they lost money, broke even, or made a little. Well, I wish them luck spending the Pattinson-Stewart-Meyer money. They are gonna need it. No vision with these folks.


Basically it is a pretty boring film. Joseph Gordon-Levitt has never given a poor performance in his life but he doesn't have a lot to work with here in the screenplay. Seth Rogen is very good as the supporting buddy. Angelica Huston looks pretty with her nice face-lift and plays the part of mother suitably. When carefully shot she even looks still lovely. But. 
Joseph Gordon-Levitt and Seth Rogen



Bryce Dallas Howard however is giving us her best imitation of Victoria from Eclipse:


Riley, you know I really love you. Don't let him fool you. It's you I really love blah blah blah in this latest recreation of her perfidious ways. Astonishing really, so now in retrospect it is understandable why Rachelle LeFevre was thrown under the bus as Victoria after Twilight. Ron Howard is a big player and this is his daughter. Scummit was/is being nice and sucky. She even gets two chances to plead to get her boyfriend back in Victoria mode.


Anna Kendrick and Joseph Gordon-Levitt
Anna Kendrick, also from Twilight, is always an accomplished young actress. But here she is reminiscent of Jessica in Twilight, although the screenplay gives her more range and depth and time on the screen. Now it is understandable why she got screen time in Eclipse for that ready-made valedictorian graduation speech that did nothing but detract from Eclipse, but a lot to promote Kendrick for Scummit's purposes -  to add her to their stable, and give her more screen time for the money they paid her. Just like BDH. BTW Scummit she doesn't need your shitty ways of promoting as she is good all by herself.


So we can see how Scummit goes about it. Yes, I know I sound like a bitch but that's because I am one. Gee, there are no Hershey Bars to sell for this one. Let's see, how about razors to shave your head when you get chemo. They could promote those, couldn't they.


I am still annoyed at the mess they made of the Twilight movies, Breaking Dawn being the pits. Flawed as Catherine Hardwicke's interpretation was, it is still perhaps the best in feeling, although New Moon with Weitz captures Bella's grief in her loss. 












Rachelle LeFevre as Victoria in Twilight