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Monday, April 21, 2014

DIVERGENT: Reading Tris as a Nietzschean Revolutionary Through Baudrillard's Forget Foucault

Tris and Chris Leaping the Chasm
Power/Knowledge are in a Functional Relation Known as the Foucauldian Grid- The Matrix
Power does not come from the top down. It is not something you can have, take, give away, barter, lose, share or anything else of that order. Power comes from below, through the interstices of the Foucauldian Grid. It seeps from below and we see Beatrice caught in that, being denied her "will to know."
Agnes Martin Grid Painting 
Foucault advocates applying resistance pressure locally where it can be most effective. Of course, power does the same.

Jeanine is fusing the power of Dauntless with the Knowledge of Erudite
She is fusing the power/knowledge Foucauldian Grid which will keep the system static
Don't get me wrong. There is a certain beauty in your resistance. But we cannot afford that beauty. Each person in their faction must submit their individual will to their faction, for our peaceful coexistence.

And this is what constrains Beatrice. She rebels in a passive/aggressive way to the pressure of power. Her brother Caleb corrects her, restrains her, introduces her to Jeanine, tells her she is wrong about Abnegation and generally controls her. Her movements are restrained as a child when she wants to run with Dauntless. Her father warns her to be careful at the dinner table. She generally exists in a bourgeois family environment eating dinner together with restrained conversation, preparing meals, dressing so as to limit her freedom of movement. 
She has grown up and lives in the Grid of Abnegation, its Dominating Discourse of language and action.

Where there is power, there is resistance. - Foucault
Foucault Straddling the Chasm
Baudrillard has said Foucault does not go far enough. He straddles the abyss. He does not push to excess, extremes to collapse the system. (Following Nietzsche) He does not push to the edge of the abyss and then over.

This is what Tris does.
Tris is becoming the best Dauntless she can be. 

Tris is exemplifying Zizek's prescription for breaking the system.

 One embraces the 

idealistic pronouncements and works to make them surface, to become reality, to truly 

be what they are. 

She is excessively Dauntless in challenging each event as it escalates.

Dauntless Manifesto
  • We believe in ordinary acts of bravery, 
  • And in the courage that drives one person to stand up for another.
  • Dauntless never give up.
Where Caleb - eating from the trashcan of ideology -  observed the everyday prescriptions of behavior for Abnegation -  which Zizek would label as Abnegation Lite -  Beatrice sullenly complied when she had to. But her will to know was stifled. She could not grow in that environment. She wanted MORE!

And in excessively being an excessive Dauntless, Dauntless is imploded and the entire system along with it. 

This is what Edward Snowden has done with his over-identification with the ideology of the United States of America. 
A lot is imploding all around us now.

Saturday, April 19, 2014

DIVERGENT REVIEW on Nietzsche's INSCRIPTION OF THE BODY (Baudrillard, Deleuze,Foucault)

Tris sees Four's tattoo for the first time right after she has been in Four's Fearscape - and so do we

We have seen Marcus come at Four with his leather belt to beat him in multiple selves - a nice wave to The Matrix. We now know that Marcus has beaten Tobias/Four since a young child and Four is paralyzed with fear of him as he regresses to a young child when confronted by him in his Fearscape - (my new word for it.) 

We are not told any more details, but the scene is allowed to resonate in our minds.When you are beaten your body/mind is inscribed as the two are inseparable, in a relation with each other.

We know Tobias's back was beaten because the welts and wounds would not be visible there.The tattoo is announcing the beatings to the world if the world sees.The beatings are revealed and concealed.The belt sliced around to his arms where the tattoo becomes stripes.

A tattoo such as this INSCRIBES the body/mind again. The MEMORY of the constant beatings is inscribed. The memory produces CONSCIOUSNESS of the original inscription. As repetition reinforced the memory of the pain, the tattoo reinforces the memory of what it emotionally and mentally means to you. 
Tris begins to touch the tattoo
The understanding and resonance of touch. Abnegation foregoes touch except in rather indifferent ways. By experiencing the lack of touch, the desire for it and its importance to you increases your awareness of it. Tris is aware of every time Four has touched her in coaching her. His touch is indifferent. Her reception of it is eroticized. She touches Four's tattoo with great tenderness and curiosity. Why all of the factions?

Because Four does not just want to be one person but all of them. We can imagine the child wanting to be imaginative, intelligent, brave, honest, happy and selfless and being beaten for showing any of those indications. His will to knowledge/power has been stifled with beatings. Tris's will to knowledge/power has been snuffed out by her family and her love for them, also an effective way to drive them underground. To repress them in the Inscription of the Body. And Tris's Body/Mind has been reinscribed at Dauntless to be sure.

For Tris to touch Four with such awe and tenderness is the awakening of eroticism for Four. He turns and kisses her and touches her wanting more. It is then Tris stops him and says, "I don't want to go too fast."

Woman is not equal to man except in the Order of Production. In the Symbolic Order of Seduction, woman is OTHER. Tris does not have a fear of intimacy. That is a clinical term that belongs in the Order of Production. We know she is a virgin and has had Four in her imagination since she met him at the net. She has been unknowingly seducing him. SEDUCTION cannot be produced. It does not figure in the Order of Production - Baudrillard.

Reading through Lacan DESIRE/LACK is a relation. Tris wants to experience desire, not sexual satisfaction. And she wants Four to experience desire. Does she know this? Doubtful. But intuitively she does. This is where that philosophical term the unknown/knowns intercedes, that term Rumsfeld so befuddled himself with. It means that there are knowns you know which you are unaware that you know. Without Lack, there is no Desire.

By going slower Tris will experience longing, desire, waiting, and contemplation of the beloved object and the deepening of self-awareness. Badiou says that love is a challenge, a risk, a jump into the unknown. This is Tris turned into a lovely metaphor. This was Twilight. This is not Hunger Games.

But by going slower Four will also experience these deeper feelings. This is where Four resonates with Dante and his beloved Beatrice, his lifetime muse, whom he only saw once or twice on the street and whom he never knew. An apparition sort of.

Friday, April 18, 2014


Jai Courtney as Eric

Reading Eric through Zizek

We see Eric first on the roof asking for a first jumper into Dauntless. Beatrice says, "Me." As she walks up to the wall Eric's face is not pleased but neither is he showing his displeasure that an Abnegation girl is going to go first. He is displeased though. Very much so.

Beatrice hesitates and Eric says, "Today initiate." And she gathers her courage and jumps.

The first fight between the transferred initiates is when Eric pairs The First Jumper (Tris) with The Last Jumper (Molly). Now we see how smart he really is. I said smart, not wise.

Without getting into a psychological swamp here - too deep anyway - reading through Jung we now know by this sentence that Molly is afraid of allowing herself to fall. She is then going to over-compensate by being physically strong and intimidating and in this instance cruel and sadistic. Right at the end of her beating up Tris we see Eric give her a subtle nod and she pounds the side of Tris's head and knocks her out. 

Jung's psychological theory can be used against someone as well as to help them. This is the continental philosophical position on the uselessness and danger of theory. Any theory can be turned against you.

She is then ranked next to last for losing.

We see a young woman being treated as "equal" with no allowances made for her being a woman and paired against another woman. All very PC Feminist according to the books. Eric is observing the rules while he stacks the fight against Tris. 

This is how it is done ladies. All the laws and rules will never help you while this goes on. We have surface compliance acting as a mask for a deeper deception. And Eric is planning this. He cannot be faulted in terms of Feminist political correctness.

Tris uses parrhesia to call Eric on his punishment of Al. 

"Anyone can stand in front of a target. It doesn't prove anything," says Tris

Dauntless ideology: 

  • We believe in ordinary acts of bravery, 
  • And in the courage that drives one person to stand up for another.

Eric tells her to take Al's place, same rules. Flinch and you're out. So Tris is challenged into an act of Parrhesia. This was the risk she took, among others.

Tris stares into Four's eyes without flinching even when nicked.

Eric: "Points for bravery Stiff but not as many as you lost for what you said. We make soldiers here, not rebels. Watch yourself."

And then Eric will treat Tris as more equal than equal.

Four is angry, telling her to be smart. Tris goes to the dorms where her friends cheer her for her bravery in standing up to Eric and being the only one brave enough to do so. This is how people become scapegoats. They say what everyone else is feeling and thinking but are afraid to say. Eric knows this and has her fight with Peter next to pay her back. She has little chance, starting strong but gets brutalized. As she is down on the floor bloody, she watches Four walking away and Eric signals for Peter to knock her out which he does with a kick. 

She misses a day in a hospital bed and Chris and Will come in to say good-bye before going to war games, telling her she can't go, that she is "out" now. Eric has dropped her as she fell below the line. 

This was clever and subtle plotting by Eric and quite in line with the "equality" feminists scream about. This is what happens when your demands are turned against you. You demand equality and you get it in spades. So be ready. 

Tris runs and makes the train for the war games. Eric confronts her and asks, "Who let you out?"
Tris replies, "I did." Softly, non-aggressively, assertively. Eric is nonplussed for a minute then says, "OK." He can't look stupid in front of everyone here. Four picks Tris for his team to be able to watch her - ? - keep her safe from Eric?

 Tris shines, winning the game for her team. She is initiated with the zip ride.

Tris will be the one Eric personally injects the tracker chip into. This is a man who cannot tolerate an assertive woman who does not flirt. Chris flirts a little with him and then he hangs her over the chasm. To frighten her. But Tris he is out to destroy. These men are everywhere. Learn to recognize them and watch them. Avoid if you can. Deal with them if you have to. But learn to recognize them even when they paste smiles on their faces.

Zizek would say Tris over-identifies with Dauntless ideology. She is more Dauntless than Dauntless as Nietzsche might phrase it. And by pushing the ideology to the breaking point she destroys the faction system as it works at this point. Zizek tells us this is the way to force the system to be what it says it is or crumble. Tris is exposing the mask of Dauntless that presents the "floating sign" of "lite," all nourishment and value gone. 

An empty sign exposed by Tris leading to its collapse. This is her revolutionary act. This is how anyone becomes revolutionary. Push it to the edge of the abyss then push it over. 

Thursday, April 17, 2014


Tris Standing as Target in Place of Al
"Anyone can stand in front of a target.
It doesn't prove anything." Tris Prior

The context: Al has been told to stand in front of the target and he is trembling with fear.

Dauntless Ideology: 
  • We believe in ordinary acts of bravery, 
  • And in the courage that drives one person to stand up for another.
  • Dauntless never gives up.
Tris stands watching as Four gets knives ready for throwing at Al. She wants to say something and is afraid to say it. 
But she believes in Dauntless Ideology.
 Ordinary acts of bravery and the courage that drives one person to stand up for another. 
Have you ever been in this situation?

This is the challenge to a PARRHESIASTES.
Compared to Snowden it is a small personal thing. But beginnings start somewhere.

The Meaning of the Word Parrhesia
  • Frankness
  • Truth
  • Danger
  • Criticism
  • Duty
...the commitment involved in parrhesia is linked to a certain social situation, to a difference of status between the speaker and his audience, to the fact that the parrhesiastes says something which is dangerous to himself and thus involves a risk, and so on.

By inverting the paradigm, the searchlight is thrown on the Other, the more powerful entity, and we see that the parrhesiastes using parrhesia discloses the character and “truth” of the “sovereign” to the people. In that respect parrhesia lifts the mask of the “sovereign.”

If there is a kind of “proof” of the sincerity of the parrhesiastes, it is his courage. The fact that a speaker says something dangerous — different from what the majority believes — is a strong indication that he is a parrhesiastes.

Danger: Someone is said to use parrhesia and merits consideration as a parrhesiastes only if there is a risk or danger for him in telling the truth.

So you see, the parrhesiastes is someone who takes a risk….Parrhesia, then, is linked to courage in the face of danger; it demands the courage to speak the truth in spite of some danger. And in its extreme form, telling the truth takes place in the “game” of life or death.

When you accept the parrhesiastic game in which your own life is exposed, you are taking up a specific relationship to yourself; you risk death to tell the truth instead of reposing in the security of a life where the truth goes unspoken. Of course, the threat of death comes from the Other, and thereby requires a relationship to the Other. But the parrhesiastes primarily chooses a specific relationship to himself: he prefers himself as a truth-teller rather than as a living being who is false to himself.

so, you see, the function of parrhesia is not to demonstrate the truth to someone else, but has the function of criticism: criticism of the interlocutor….Parrhesia is a form of criticism either toward another or towards oneself, but always in a situation where the speaker or confessor is in a position of inferiority with respect to the interlocutor. The parrhesiastes is always less powerful than the one with whom he speaks. The parrhesia comes from “below,” as it were, and is directed towards “above.”…But when a philosopher criticizes a tyrant, when a citizen criticizes the majority, when a pupil criticizes his teacher, then such speakers may be using parrhesia.

Duty: The last characteristic of parrhesia is this: in parrhesia, telling the truth is regarded as a duty. The orator who speaks the truth to those who cannot accept his truth, for instance, and who may be exiled, or punished in some way, is free to keep silent. No one forces him to speak, but he feels that it is his duty to do so. Parrhesia is thus related to freedom and duty.

in parrhesia the speaker uses his freedom and chooses frankness instead of persuasion, truth instead of falsehood or silence, the risk of death instead of life and security, criticism instead of flattery and moral duty instead of self-interest and moral apathy. (FS pp.11-20)
Foucault - Fearless Speech

This is the context that Tris finds herself in Dauntless training. Four would prefer that she keep quiet. She cannot. Her position is dangerous with Eric and she risks it all in doing this. Eric will pair her in a fight with Peter who can beat her and hurt her badly, which Eric gives the OK for by nodding his head at the end of the fight, and Peter kicks her into unconsciousness. 

The part Foucault does not discuss is the assignation of scapegoat that falls on the Parrhesiastes. When Tris returns to her friends they cheer her for daring to speak out to Eric. The Parrhesiastes often says what the others are thinking and feeling but dare not say themselves. 

This was Snowden's dilemma. Who was going to tell the truth? Then he realized that he was going to have to be the one. And the fires of hell from the empire came down on him to kill him.

Wednesday, April 16, 2014

DIVERGENT: Reading Jeanine's Strategy and Tris's Radical Otherness Through Zizek

Kate Winslet as Jeanine in Divergent
Jeanine is absolutely correct in knowing that Abnegation will eventually ruin the peace based on factions as it is, patterned closely on the Quakers and on Gandhi's method of Satyagraha that brought down the United Kingdom. But what did the Quakers do? 

They began the resistance to slavery. They were active in the Resistance Movement against the Viet Nam War. Quakers believe in carrying their ideals and beliefs into action. They are not Sunday Christians. 

Abnegation is obstructing Jeanine's plans to introduce materialism and prosperity. They will not be complicit in fostering "capitalism" which will be less regulated, or unregulated by any moral codes of behavior.

The movie reveals many things to us without comment. We see some older people in Abnegation as the crowds move in the streets toward the Initiation Ceremony, but few if any in Dauntless. We also see older people in Amity. We slowly learn that the factionless mainly come from failed initiates, especially Dauntless. Dauntless is itself increasing the population of the factionless, increasing the problem of homeless hoards. This information comes to us in a purely visual form with the announcement of being chosen, some information that requires us to connect some dots. 

It is apparent that at one time Dauntless - and the other factions - were created by some spontaneous and authentic feelings. The factions as we see them 100 years after have become institutionalized. 

This is what Edward Snowden warned about the NSA mass collection of information. He did not say that it was being misused BUT that at any time the administration of NSA changed, with those coming to leadership positions there, this could easily happen. That different people could decide to use the information in a different way that would compromise citizens and reveal their personal lives to their detriment.

Divergent gives us this moment in time where institutionalized factions - and we are most familiar with Dauntless - have metastasized into a totalitarian mini state and formed an alliance with Erudite.

As Baudrillard tells us through Nietzsche, when the Symbolic Order moves into the Order of Production it becomes IRREVERSIBLE. It metastasizes. This is what we see with Dauntless. New Rules. Roth's book makes this clear in Four's complaining to Tris, but if we can read through Baudrillard we need no explanation as to what's going on here. The Order has changed in Dauntless and in Erudite. Science and technology are on their way to endless complication. The Foucauldian Grid of power/knowledge is now visible.

Tris is a true revolutionary. Katniss is a figurehead and those using her are violently fighting the government. So why is Tris this radical figure? An imaginary figure Jeanine has had nightmares about is now present in her reality. 

Tris is exemplifying Zizek's prescription for breaking the system. One embraces the idealistic pronouncements and works to make them surface, to become reality, to truly be what they are. 
Dauntless Manifesto
  • We believe in ordinary acts of bravery, 
  • And in the courage that drives one person to stand up for another.
  • Dauntless never give up.

So here we have the ideology. You know like our own freedom, equality and justice for all.  Zizek will say to over-identify with the ideology to force it to be what it says it is or disintegrate. Tris has over-identified and continues to push it.


First she believes it. (Roth's book pushes this point over and over. To make sure we get it.) The movie shows us Tris's face as Max gives the Manifesto in an address to the new initiates and they are lifted and carried in a ritual of solidarity. An act now empty of meaning but an act of propaganda for the initiates who are seduced. Then she begins to participate in the reality of the training which has little to do with the ideology and a lot to do with obedience and "never giving up."
Discipline and Punish - Michel Foucault

Clearly only an Abnegation born and transferring to Dauntless is innocent enough to take this to their hearts. This is why they are a danger to Erudite. Tris  believes in the ideology of Dauntless that does not exist in the example of the leaders. Is this familiar to the reader?

This is what forces Tris to expose herself by becoming a PARRHESIASTES. This is the kind of behavior to expect from Abnegation. It is the kind of behavior to expect from the Quaker community, the Society of Friends. It was the kind of behavior that Gandhi displayed to bring down the United Kingdom. "That little man in the loincloth," as Churchill called him. So Jeanine is correct to fear it. Abnegation will eventually ruin her plans, obstruct them for sure. 

Jeanine opts for our present government's preference: PRE-EMPTIVE THREAT. That is, like the movie Minority Report, stop the projected violence before it happens, while it is just a small weed to be rooted out, as Mao says of capitalism. This is what our police and law enforcement are doing today. We are under surveillance to make sure we do not plan to do anything in the future that the government might object to. 

Jeanine is very modern. She is taking precautions and she is correct in doing so from her perspective.

Monday, April 14, 2014

12 Years a Slave- Reading Through Washington, Jefferson, Madison, and Monroe

Solomon Northup Kidnapped and Held As a Slave 1841-1853
In the beginning of this film  when drugged and kidnapped, Northup protests that he is a free man. He is accused by the auctioneers of being a runaway. He is not but perhaps they do think he is. There is no reason for these sleazy businessmen to believe him, to check to see if he is in fact a free man. That would take time eh. And a lot of money is at stake. So why would they let him go even if they believed him.

My perception always has a Foucault default. I am reading Richard Cote The Life of Dolley Madison, a sort of very readable biography of Dolley with lots of pictures of her homes in Philadelphia just a few blocks from where I used to live so that's why I picked up the book. 

It begins with her ancestry which was Quaker. Her father was disturbed by the fact that he owned slaves to work his plantation in Virginia. About 50 of them. He had converted to the Society of Friends after he married Mary Coles who had been disowned by the Quakers for marrying him, an Anglican. He becomes more Quaker than a Quaker as converts often are wont to do. And his conscience is troubled by the fact that he owns slaves. 

In 1760 in Virginia the Law as passed by the Virginia House of Burgesses read "that it was illegal to emancipate a slave in Virginia except by Government act. Virginia Quakers and their meetings could oppose slaveholding and support emancipation, but they were prohibited by law from freeing their slaves. If a slave was freed, by a Quaker or anyone else, he or she could be captured and sold as a runaway."

A paragraph that a reader could read and continue on to the next page. But with Foucault on default it stops you in your tracks. Foucault spent his life in archives reading tattered papers, partly illegible to uncover statements like this. It is a colonial law of the colony of Virginia. There are certainly similar laws in Alabama,Mississippi, Georgia, Louisiana, etc. But this is Virginia, the place where Washington, Jefferson, Madison and Monroe all have family plantations with enslaved workers. 

That's 4 out of 5 of our first presidents, all from Virginia, all with family plantations going back to the 17th century. Yes we know they are racists but that is the tip of the iceberg here.

The Law reads what you can't do. You can't free your slave. Assuming you are a decent person if you want to free your slave, what are the consequences if you do this. Capturing/kidnapping and being resold to the highest bidder, and very likely a far worse situation from which you are freed. 

This Law also has an emptiness. The only thing you are not allowed to do is FREE your slave. 

You can beat, maim, kill, rape, torture, breed, set dogs on, force fights to the death, well just about anything the perverse imagination can come up with, you can do. 

The only thing you can't do is FREE  this slave. And if you do this slave will never really be free. This slave will always be looking over her/his shoulder as there are stories of abductions and disappearances. 

Switching my reading to Zizek/Lacan, the Big Other owns the slave you think you own. If you can only free this slave by government approval, then you really don't own the slave, do you? The Big Other owns the slave you think you own. You can do all manner of evil to this slave, BUT YOU CANNOT FREE HER OR HIM! (p.64)

At the base of our legal system by 1760 is pure sophistry. A Law by Pharisees. It contains a poison pill. It puts the person of integrity in a CATCH-22 situation. Unable to keep a slave or free the slave. It forces hypocrisy. 

Now who is responsible for this law? Does anyone think that the largest plantation owners in Virginia, the Washingtons, Jeffersons, Madisons, and Monroes were innocent of this law? We know James Madison's grandfather served in the Virginia House of Burgesses from 1761-1769. He would have had to have known of this law. Who formulated it like this?

And why this law at this time? Foucault teaches to look at what else is going on. To look at the intersections of different "comings to be" and in this case it is the influx of Quakers from Pennsylvania to the Carolinas (liberal Constitution) and Virginia to farm large tracts of cheap land through the use of slave labor. Quaker meetings are not about listening to someone give a sermon. They involve silence and the necessity someone feels to speak to the group. So one can expect there were many raised discussions about slavery, and surely the well known founding fathers of the Anglican persuasion knew about these dissenting discussions.

Virginia was a bastion of slaveholding.  In 1765, the Quaker minister John Griffith wrote that "the life of religion is almost lost where slaves are numerous....the practice being as contrary to the spirit of Christianity as light is to darkness." (p. 64) By 1769 the Paynes had come to believe that slaveholding was morally indefensible.  Three months after the Declaration of Independence was signed, John Payne, Dolley's father freed one of his slaves in a formal declaration leaving no doubt as to his intent. Then he freed the rest of them. In defiance of Virginia Law. 

But the legal tide began to change. In  1782 manumission became legally permissible. In Virginia.  Notice the wording. You are now permitted to free your slaves, meaning that someone who really owns them gives you that permission, the Big Other. of Lacan. (Only in Virginia that I know of. A liberal state.A great genealogical research topic for someone.)

The Virginia Legislature passed a law that gave all slaveowners the power to emancipate their slaves by will after death, "or by acknowledging the will while still alive, in open court, provided they agreed to support all the aged, infirm, and young persons thus set at liberty.  (p.68) And here we have another poison pill, another Catch-22 eh. Legally they cannot be kidnapped, captured and resold but of course it went on up to 100 years later - Solomon Northup. And how could a farmer, no matter how wealthy, take on the feeding, sheltering and care of so many people having lost a free labor force. John Payne tried sharecropping with the ones that stayed with him but that was not profitable for either the freed slaves or the former owner.

The great wealth of plantations depended completely on slave labor. Without the slaves the wealth was gone. 

Is it not wickedly ironic that the two areas of Western Civilization that produced democracy - Athens and the North American colonies - also produced the intellectual leisure of enough men to imagine freedom, buying the time for this by slave labor.

At the structural base of our judicial Law lies a terrible contradiction embedded in it. The Sophistry of a Law contradicted by its inability to be enacted and enforced properly. This is the reality. The word racism only conceals this deeper dirty little secret. (p.68)

And beyond this lies the REAL - the invisible REAL - of Zizek thinking through Lacan. Invisible is the early capitalism that inspires this disastrous hypocrisy of subterfuge and deliberate lies. 

Who are the legislatures that couched these two laws in such duplicitous language? Did our "forefathers" aid them. Here's an example of Jefferson's thinking worthy of a subtle Jesuit or ancient Chinese wise man on where to have the capitol city. Philadelphia wanted it - but do not forget the Quakers were there (a danger) in great strength of wealth and numbers - New York also but it was a center of commerce. The Virginians wanted the new city on the Potomac and here's how Jefferson got a go on that:

In June 1790 Jefferson called a meeting with Madison and Hamilton in New York. They struck a deal. Hamilton had proposed that the federal government pay off the federal debt and assume the debts incurred by the separate states during the Revolution. Madison opposed this. Jefferson proposed that Hamilton get the Pennsylvanians to vote for a permanent capitol on the Potomac in exchange for locating it in Philadelphia for a decade. Madison should not object too strongly to the debt assumption bill. Jefferson got what he wanted. This is the same kind of thinking in the earlier slave laws eh. Give them something they want so you can get what you really want. (p.83)

Notice who was paying for this.

Is it any wonder that Cumberbatch's character did not free Northup but resold him. That Pitt's character was afraid to write the letter he promised he would.

Sunday, April 13, 2014


Trailer for Ang Lee's Lust,Caution. The scenes I am referring to are the clips with the diamond ring and his throwing himself into his car.

For Lee, an astute observer of the warping power of sexual desire and repression (not just in "Brokeback Mountain," but also in films as disparate as "The Ice Storm," "The Wedding Banquet" and "Sense and Sensibility"), the allure of "Lust, Caution" lies in the irreducible mystery of its love story, which culminates in a seemingly rash and irrational act. "It's complex and hard to pin down," he said. "Maybe it can't be pinned down." LINK

This pivotal scene takes place when the two lovers are in the jeweler's shop viewing the large pink diamond he has bought for her which they see set for the first time. He does not want to see the ring, but only to see it on her hand. She puts it on and leans into him whispering/saying:

"Go. Now."

He is uncomprehending so she repeats it:

"Go. Now." 

He gets it, runs down the stairs, across the street sliding on his stomach into the back seat of his car which roars away.He escapes the assassins clustered around the jewelers waiting for his exit to kill him.

Since the entire movie has been about her playing a part to seduce him (he is a collaborator with the occupying Japanese in the 1940's in Shanghai) in order to assassinate him, this turn around has been the subject of much lit crit and has confounded all interpretations. WHY DOES SHE DO IT? Ang Lee has said he had great anxiety about this scene and trusted the actors to convey it intuitively and accurately, which they did. This is Eileen Chang's novel who was considered the cruelest writer writing in Chinese.

He will order the round up of her and her partisan group, have them lined up, shot and dumped in a large trench for a grave that is in front of them.

I think Neil Burger has replied to Ang Lee in the pivotal scene in Divergent:

Pivotal Scene to Wake Four Up

Tris enters the control room to stop the simulation program, sees Four connected to a drip, releases him only to have him come at her to kill her. A violent physical fight begins and then Tris gets a hold of her gun on the floor, saying,


and holding it on Four. He stops and freezes. He has no fear of being shot.  But she can't kill him and we know that.

His second greatest fear is killing an innocent whom he must look away from to perform the ordered killing. Tris has been in his fearscape and knows this. She turns her gun on herself, pointing it at her forehead and Four leaps to grab the gun, to take control. She is bloody, crying his name to wake him up from the simulation serum saying, "It's OK, it's OK, I love you, it's OK. Four it's me, Four wake up, wake up. Now he is close to her and in control so she can touch him, touch his lips, his mouth, his face, his skin while she is saying his name to wake him up. He turns his head away as he cocks the gun and she pulls his face back saying, "Look at me, look at me. It's me, it's me." And then he begins to wake up and says, "Tris?" And Tris smiles and says, "It's OK, I love you."

Then she says softly and carefully:


And he turns on a dime and mows down the ones with guns behind him and becomes a killing machine while Tris goes after Jeanine to stop her. When it is over both will have to run because the leadership of Dauntless is coming after them. So they hop the train with Caleb, Peter, some other Abnegation members including Marcus.

In Lust,Caution why does Wang warn Yee? Why does she save him? I think Burger is saying it is love, just as Tris is saying, 

"I love you enough to die for you. I cannot kill you. Wake up."

And the enigmatic word GO links these two films with love.