REVIEW:Don Jon:Reading Through Baudrillard - Welcome to the Desert of the Real

DO NOT MISS THIS FILM

And Starring Joseph Gordon-Levitt

Neo had this book in his desk drawer in THE MATRIX

Don Jon is a movie on how we get to THE MATRIX.

It takes awhile but you have fun doing it.

Dirty Sexy Dancing.

Scarlett is hot, hot hot and she won't put out. At least not until she gets what she wants first.
Him.
Into her interfaced fantasy.

Happy Ending Romantic Fantasy

Dirty Sexy Laptop

JGL has been sensitizing himself to feel erotic looking at porno. He is becoming Pavlov's dog, salivating to the bell, - whoops, the nekkid bod and ass of the porno queen of the moment. He jerks off thus reinforcing himself for his gaze on the porno queen - or princess. His sexual responses are conditioned to the Barbie porn videos, not a real life Barbie. Just a simulacrum in Simulated Reality, and he goddamn well prefers her or her Barbie sisters. And his responses are now Hullian prepotent responses. 

Joseph Wolpe, M.D. Father of Behavior Therapy.

See any theory can be used against you.

Mark Tansey - Still Life 
Aside here: Mark Tansey is giving us the GREAT 21st century Foucauldian CUT in art history
Still Life is a painting of this movie without a happy ending.

Fuck real life. Gimme the simulacrum willya.

The Wondrous Julianne Moore
Enter Julianne Moore, a REAL woman. Who wants real?
Who wants intimacy?
Gimme that porn star willya.

No victim's body,no criminal, no crime scene,no capture,no punishment
The Perfect Crime
What Baudrillard is saying here is that our reality is stolen from us in homeopathic doses. That way we will not notice it so infinitesimal will those doses be. And we will never know when the boundary blurs, when we lose reality, when we are in Simulated Reality, and when we can't get back. As Jon learns when he can no longer close his eyes, masturbate to his own fantasies, make them up. His imagination has been stolen from him. His ability to contemplate has been stolen from him (Walter Benjamin folks.) His mind has been stolen from him. His life has been stolen from him. And he doesn't even know it.
The Perfect Crime

Jean Baudrillard, the Bear and the Screen

This embracing of Simulated Reality is our greatest danger according to Baudrillard. When Simulated Reality is total then we will be in Virtual Reality. Think Hunger Games here: The Districts are Reality, The capitol Panem is Simulated Reality, The Games are Virtual Reality. So who the hell wants reality. Gale didn't. Katniss does but then she really had her fill, an excess, didn't she. 

We are all interfaced with the media of our culture. How we fall in love, the courtship, the rituals, the wedding, they marriage, the children, the dog, the house, the mortgage, and so it goes as Vonnegut would say. We are no more free than our pet dogs. We have been conditioned to want what they want us to want. And conditioned to get it the way they want us to get it. How we fuck has been conditioned recently by porn. So we now fuck like porn stars. (Did I do OK honey? Did you get off? Performance anxiety eh.)  So we do. We obey them. To do this we Inscribe our bodies (Nietzsche's Inscription of the Body) to fit the template of normality, we think the way we have been taught to think, we do not even have the words to free ourselves from this. Sex is empowered to do this to us. We got rid of repression -  we thought so anyway -  but what is this? And we are embracing it as fast as we can learn how. 

Who will intercede? Who will give us the intervention we need? Who will be our Julianne Moore? And our prepotent responses will undergo spontaneous recovery in the future. Pavlov again, the great one.

Welcome to the Desert of the Real! - Morpheus quotes Zizek

Here's what Joseph Gordon Levitt said about his movie Don Jon:

I wanted to talk about how the media influences people's expectations, Gordon Levitt says. Pornography is a huge, huge part of our media culture. The message Don Jon is trying to bring to light - and make fun of - is reducing people, especially women, to nothing but sex objects. It happens in music videos, TV shows, movies, and magazines, and so many commercials. Whether it's rated X or approved by the FCC to sell Doritos, the message is the same.

Entertainment October 4, 2013 #1279

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Let me tell you it is so much more than what he thinks it is. It is a fictionalized account of Jean Baudrillard's The Perfect Crime

The title is taken from a short story by 
Jorge Luis Borges.
wiki on Borges

It was almost all map for Jon.

I am going right over to hitRECord.org to tell him so.

The Hunger Games and Katniss Everdeen - Foucault: Fearless Speech and Parrhesia

Katniss Shooting

This is not a review review.


In a pre-introduction before the games, just as an American Idol selection or other somesuch reality show, Katniss is to show her stuff to the audience who isn't paying attention - she has been advised to get their attention -  as she sinks arrows into flat human body targets. So she aims at them, or rather the apple in the pig's mouth at the banquet table, aces it just whizzing by the head of the Master of Ceremonies of The Games. I can't find this image of Katniss in her sexy black leathers and marvelous hair arrangement with a bow and arrow, but you get the idea. The above image is in the beginning of the movie, when she is aiming at a deer.

The Evil One is on the Far Right

There is silence as her arrow goes to the heart of the apple. Astonishment. Shock. And then she bows  forward, making an age old gesture with her arms stretched out to her sides. She might be holding a ball gown in her fingers, making obeisance to a king. This is her gesture of utter contempt, as she inclines her head and says, "Thank you for your consideration," contemptuously uttered, just before she turns and leaves the stage/platform.

She wows them and when they vote she gets an almost perfect score.

What has she done? She has performed an act of parrhesia. And her insolent words complete her performance of parrhesia. She has "spoken truth to power," which must, by definition, include risk. It is a Greek term, and it often involved death for the speaker. 

Foucault discusses this in his book Fearless Speech as he does a genealogy of parrhesia.  Ayn Rand in her defense of William Hickman said, "He was condemned to death, not for what he did, but for what he said." (Journal of Ayn Rand;Letters of Ayn Rand)

Katniss is condemned to death for her audacity and her courage, giving too much hope to those watching screens, from the fringes of this world.

My intention was not to deal with the problem of truth, but with the problem of the truth-teller, or of truth-telling as an activity....  who is able to tell the truth, about what, with what consequences, and with what relations to power.... With the intention  of the importance of telling the truth, knowing who is able to tell the truth, and knowing why we should tell the truth, we have the roots of what we could call the "critical"tradition of the West. - Michel Foucault